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The current incarnation of Cubase first arrived in the summer of 2002, when Steinberg released Cubase SX, rather than being named Cubase VST 6.0 as would seem logical. More importantly, though, the flagship version of Cubase was renamed VST/24, signalling the introduction of 24-bit recording.
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Windows users finally got their hands on plug-ins with Cubase VST 3.5 in late 1997, but the major upgrade arrived for the Mac the following year.Ĭubase VST 4.0 offered Logic-style Folder Tracks, a Marker Track, basic customisable interface options including Window Sets, groove template creation and a variety of smaller tweaks. The introduction of plug-ins can rightfully be considered one of Steinberg's greatest contributions to the development of music software.
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Steinberg's decision to release the VST Software Development Kit (SDK) and license the technology to other developers ensured that VSTs became one of the dominant plug-in formats. The protocol was expanded in 1999 with the introduction of the version 2.0 specification, which allowed plug-ins to be controlled via MIDI, opening up the possibility of VST instruments (VSTi plug-ins). Rather than relying on external processing hardware, VST plug-ins allowed Cubase to use the host computer's native processing power to manipulate audio in real time. VST was the first plug-in expansion protocol designed specifically for audio applications, allowing effects to be added to the core Cubase application. Having already beaten Emagic's Logic to the punch with audio support, Cubase hit another crushing blow in the summer of 1996 with the introduction of VST (Virtual Studio Technology) plug-in effects.
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Although it wouldn't offer the audio features of its Mac counterpart until a couple of years later, the Windows version of Cubase opened the package up to an even larger market of home PC owners. In late 1992, Cubase for Windows joined the Steinberg line-up.
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While continuing to develop for Mac and Atari, Steinberg also acknowledged the importance of the Windows operating system and entrusted a new project to programmer Ralf Kürschner.
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"Legacy code was ditched and the new version of Cubase was built on the much more advanced Neundo audio engine." Initially only available for the new Power Macintoshes (which boasted 60MHz processors - blisteringly fast for the time), the software was developed by British programmer Mark Badger and based on Digidesign's hardware and TDM engine. Acknowledging the power of the Mac for music making, all Cubase development switched to the more advanced platform at this point.ġ992 saw the arrival of Cubase Audio, the first version to offer audio support in addition to MIDI sequencing capabilities. The first version of Cubase was notable for the introduction of the clever MROS (MIDI Real-time Operating System) protocol, an early spiritual predecessor of the Steinberg/ Propellerhead ReWire system, which allowed the ST to carry out basic multitasking and transfer musical data between programs.ĭespite the success of the Atari version, Steinberg released the first version of Cubase for the Mac operating system in 1990. However, before Cubit even hit the shelves its name was rapidly changed to the now-familiar Cubase following legal threats from developers of a similarly named software package. The name change signalled a major overhaul of the product, with a clear timeline interface and a much more advanced feature set. Pro-24's lifespan finally came to an end in 1989 with the announcement of a new Steinberg sequencer, Cubit. Pro-24 was also ported to the Commodore Amiga, although the lack of built-in MIDI support meant that it was never as popular as the hugely successful Atari version. As the name suggested, the Atari's larger memory and faster processor allowed Pro-24 to offer a further eight tracks of sequencing than its predecessor, but it also crucially allowed much more flexibility in terms of track recording and song arrangement.Įditing options included musical score notation (introduced in version 2.0), quantisation options and a step sequencer-style grid editor for drums.
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